SSC 2004 Quite Contrary (Picture: A Sculptor's Model) by Ouchigirl The days here are long, slow, and hot. They melt one into the next. Anyone or anything making them pass more quickly is counted a blessing. To hurry them along, I use what I have: I use my body. And so do others. It's not the money. I don't need the money. It's the diversion. And it's the acts themselves. Forbidden fruit always drips the sweetest juice. They come to me because I let them hurt me. The truth is that I like the ones who hurt me best. There is one who comes often. After many months, I found myself watching for him, waiting for him; fearing he would appear, fearing he would not. He is powerful and quiet. His hands are rough. He is very skilled craftsman. His stroke is steady and his aim sure. He beats me in silence, always in silence, savouring the gasps and cries as I shudder in the whip's embrace. When I can no longer stop the scream, his arms surround me and he gathers me to him. He breathes in the sweat and salt like spicy perfume, tastes them, rubs his face and hair against my nakedness, soaking himself, until there is but one essence between us. But he had never touched my sex until today. It was very early. The sun had not fully heated the air when he appeared and yet he was hot, fire in his eyes and in his touch. He smelled of the wine that stained his clothing. He made me stand before him and turn away. He stared at the stripes on my backside, some faded, others bright. Some stripes he knew full well he had laid upon my flesh, others he merely believed were his marks. I let him believe. This time he did not reach for the whip. Instead, he confessed that he himself longed for the lash, that he envied me its sweet sting. He wanted to hear it licking at his skin, to feel it cutting and cleansing him, humbling and reforming him, taking him to a place far from here. Anywhere but here. He would do anything to escape this time and place, this seemingly endless and desolate hell on earth. I do not often oblige those who ask, but this one is different. I wanted to give him some peace of mind, even if it meant violating his body. He bared his back and stretched out his arms. I beat him long and hard, until he began to cry out my name over and over and over again. At last he turned and caught the whip, knotting its tongues in his fingers. He pulled me to him, took me quickly, easily, and then, oddly, he wept. He fell into a deep sleep from which he has yet to wake, but just before it overshadowed him, he whispered something that made me smile: "My mother's name is Mary too." (488 words) nb: see also Ernst's "Die Jungfrau"
Polara email
This is one of my absolute favourites. The first paragraph establishes the atmosphere of heat and decadence. The narrator has a consistent tone, a way of using words and forming sentences that characterises her as a self-confident, self-contained and yet sensual woman. I like the way the story takes off from the picture, and the way it creates a whole spectrum of sensations: heat, taste, touch, scent, visual images.
Pablo email
Some lovely layering here. What's especially good is that the story works just as it is, without the characters having any particular meaning other than their roles in the story. Their relationship is quietly significant, full of detail and open-eyed awareness. The evocation of time and place and mood is very skillful. But what gives the story an extra depth and an extra kick is the suggestion - which, crucially, *is* only a suggestion - that these people have far more significant stories, and that what we're seeing is just a quiet, peaceful moment amid something much bigger. A moment's quiet before a huge storm. Very nicely done. (Pablo)
Ivy Tran email
Not a bad story, I like the interesting twist of the disciplinarian/ punisher wanting the switch, the sub willingly providing for him. I love the idea of the cuddle after the punishment. It makes the spankee know "it's for your own good". I didn't get the last line's significance but the rest was pretty darn good.